Monday, May 20, 2013

Sticky pics from Under Saint Marks

On Friday night, Sticky showed up at Horse Trade Theater Group's Under Saint Marks, and put on a really great show, if we do say so ourselves.

Thanks so much to our wonderful actors, writers and directors. You wrote us some new plays, you sang us some new songs, and you showed us all the brand new dances.


K.L. Thomas took some photos, and here they are. All photos copyright K.L. Thomas

musical guest Jeffrey Marsh. photo (C) K.L. Thomas

Bill Weeden as Underwood in Michael Niederman's Mutual Appreciation Society, directed by Cate Bottiglione. photo (C) K.L. Thomas

Jolly Abraham, Bill Weeden and Liza Pross as Kady, Maggie, and Underwood in Michael Niederman's Mutual Appreciation Society, directed by Cate Bottiglione. photo (C) K.L. Thomas

Liza Pross as Maggie in Michael Niederman's Mutual Appreciation Society, directed by Cate Bottiglione. photo (C) K.L. Thomas

Liza Pross and Bill Weeden as Maggie and Underwood in Michael Niederman's Mutual Appreciation Society, directed by Cate Bottiglione. photo (C) K.L. Thomas

Carol London as Eleanore Leonard in t. tara turk's Blackbird Bluebird, directed by Barrie Gelles. photo (C) K.L. Thomas

Ashley Samona Baker as Sari Leonard Price in t. tara turk's Blackbird Bluebird, directed by Barrie Gelles. photo (C) K.L. Thomas

Carol London and Ashley Samona Baker as Eleanore Leonard and Sari Leonard Price in t. tara turk's Blackbird Bluebird, directed by Barrie Gelles. photo (C) K.L. Thomas

Carol London as Eleanore Leonard in t. tara turk's Blackbird Bluebird, directed by Barrie Gelles. photo (C) K.L. Thomas

Jolly Abraham in Nandita Shenoy's True Story, directed by Dax Valdes. photo (C) K.L. Thomas

Jolly Abraham in Nandita Shenoy's True Story, directed by Dax Valdes. photo (C) K.L. Thomas

Ali Ayala in Nandita Shenoy's True Story, directed by Dax Valdes. photo (C) K.L. Thomas

Erika Lee and Mike Callahan in Prohibition Blues, a mini-musical written, composed, and directed by Kara Ayn Napolitano. photo (C) K.L. Thomas

Erika Lee in Prohibition Blues, a mini-musical written, composed, and directed by Kara Ayn Napolitano. photo (C) K.L. Thomas

Erika Lee in Prohibition Blues, a mini-musical written, composed, and directed by Kara Ayn Napolitano. photo (C) K.L. Thomas

Erika Lee in Prohibition Blues, a mini-musical written, composed, and directed by Kara Ayn Napolitano. photo (C) K.L. Thomas

Jarrett Cherner in Prohibition Blues, a mini-musical written, composed, and directed by Kara Ayn Napolitano. photo (C) K.L. Thomas

Erika Lee and Brett Andres in Prohibition Blues, a mini-musical written, composed, and directed by Kara Ayn Napolitano. photo (C) K.L. Thomas

Erika Lee and Brett Andres in Prohibition Blues, a mini-musical written, composed, and directed by Kara Ayn Napolitano. photo (C) K.L. Thomas

Erika Lee and Evan Greene in Prohibition Blues, a mini-musical written, composed, and directed by Kara Ayn Napolitano. photo (C) K.L. Thomas

musical guest Jeffrey Marsh. photo (C) K.L. Thomas

musical guest Jeffrey Marsh. photo (C) K.L. Thomas

Playwright Debbie Jones watching her play I Saw You. photo (C) K.L. Thomas

Jimmy Pravasilis in Debbie Jones' I Saw You, directed by Libby Emmons. photo (C) K.L. Thomas

Jimmy Pravasilis and David Marcus in Debbie Jones' I Saw You, directed by Libby Emmons. photo (C) K.L. Thomas

David Marcus in Debbie Jones' I Saw You, directed by Libby Emmons. photo (C) K.L. Thomas

Jimmy Pravasilis and David Marcus in Debbie Jones' I Saw You, directed by Libby Emmons. photo (C) K.L. Thomas

Jimmy Pravasilis and David Marcus in Debbie Jones' I Saw You, directed by Libby Emmons. photo (C) K.L. Thomas

Libby Emmons and Ali Ayala in Libby's Get Me/Get Me Back, directed by Ali Ayala. photo (C) K.L. Thomas

David Marcus hosts the show. photo (C) K.L. Thomas

Ali and Libby in the booth, where they were for most of the night. photo (C) K.L. Thomas

Liza Pross, Abby Lee, Carol London, and Ashley Samona Baker in Jacquetta Szathmari's Open Arms, directed by Ali Ayala. photo (C) K.L. Thomas

Liza Pross, Abby Lee and Carol London in Jacquetta Szathmari's Open Arms, directed by Ali Ayala. photo (C) K.L. Thomas

Liza Pross, Abby Lee, and Ashley Samona Baker in Jacquetta Szathmari's Open Arms, directed by Ali Ayala. photo (C) K.L. Thomas

Carol London in Jacquetta Szathmari's Open Arms, directed by Ali Ayala. photo (C) K.L. Thomas

musical guest Jeffrey Marsh. photo (C) K.L. Thomas

Thursday, May 2, 2013

who's writing for Sticky? these badasses, that's who.

Sticky at Under Saint Marks
May 17th, 7:30 pm



The play: Blackbird Bluebird

a mother’s last visit with her daughter before prison
The writer: t.tara turk is a novelist/playwright/screenwriter whose work has appeared at the LA’s Company of Angels, Hip Hop Theater Festival, the Actor's Studio, EST and the Kennedy Center. Her fiction has most recently appeared in the international anthology “X:24.” She graduated from Sarah Lawrence, receiving the Lipkin Playwrighting Award, completed the Cosby Screenwriting Program and the Producer’s Guild Diversity Workshop. Her short films have appeared in various festivals and she recently won Best Screenplay at AAWIC and is an Urbanworld 2012 Screenplay Finalist. www.ttaraturk.com and follow her @ttaraturk

The Play: Open Arms, commissioned by David Marcus and SpotlightRight.Blogspot.com
a gun slinging bachelorette party
The writer: Jacquetta Szathmari is a NYC-based writer and comedian. Her work has been called “crackingly” smart, politically incorrect, hilarious, and down right offensive. Best known for her solo show "That's funny. You didn't sound black on the phone." and her interview in "How to Be Black", Szathmari is also cohost of the popular Hey YouKnow It  podcast. In her left hand she holds a degree from Sarah Lawrence College; in her right her a Libertarian Party membership card. Find out more at www.biggunsbigtobacco.com and follow her @jacquetta 

The play: True Story
starring an Indian actress who’s not Indian enough
The writer: Nandita Shenoy’s one-act plays Marrying Nandini, By PopularDemand, and Rules of Engagementhave been produced in New York City, and her full-length, Lyme Park: An Austonian Romance of an Indian Nature received aworkshop production at the Round House Theater outside Washington, DC.Nandita’s plays have been read at the Kennedy Center, the Asian AmericanWriters’ Workshop, Salaam Theater, the Bleecker Street Theater, The Lark PlayDevelopment Center, and Red Harlem Readers.  She is a member of the Ma-Yi Writers’ Lab and holds a BA inEnglish from Yale University. 

The play: I Saw You
an old man is hounded at his favorite bistro
The writer: Debbie Jones startedon the Lower East Side and here she is back – with Sticky. Her plays have beenproduced by New Voice, The Mint, Manhattan Class Company and on theatre row. Sheis the recipient of the prestigious Berilla Kerr Award for her body of work inNew York theatre and has been designated one of the “Top 50 to Watch” by theDramatists’ Guild.  Jones is afounding member of Dora Mae Productions and author of Tales of Wonder from the Garden State. She is pleased Libby Emmons is directing I Saw You  here at Sticky. 

The Play: Get Me/Get Me Back
about refusing to read your best friend’s blog
The writer: Libby Emmons is co-producer of the Sticky series. She often writes plays for herself and director Ali Ayala to perform, and this play is part of that project. Libby's plays include Zeropia (Clubbed Thumb Biennial Commission), The Girls from Afar (Desipina & Co., East West Players, Open Rehearsal at INTAR, finalist Yale Drama Series), The Little Room (finalist Eugene O’Neill Conference, BBC International Radio Play Competition), Connie in Detroit (blue box world & Bowery Poetry Club; TARTE Festival, NYC, 2011), leaving last night (EBE Ensemble, 2010), RU610 (Williamstown Theater Festival commission, 2007) Dirty & Leo in Tokyo (Sanctuary Playwrights Workshop, NYC), and I Am Not an Allegory (These Are People I Know) (blue box world at Bowery Poetry Club, 2012), among others. Another Libby/Ali play, “Animal/Animal,” anticipates 2013 publication in Smith & Kraus’ Best Short Plays of 2013, and “The Worm Turns at the Fort Peck Hotel” was published by The New York Theater Review. BA: Sarah Lawrence College; MFA: Columbia University. Get personal at www.li88yinc.com

The Play: Mutual Appreciation Society
an overeducated student who wants out
The writer: Michael Niederman is exited to be part of Sticky again!  His previous plays with blue box were Last Call, American Hosanna,  Bavarian Fish, and The Ending of All Things.  His other work has been seen in theaters in and around New York City, including Theater Row, Second Stage, The Actors Studio, and HERE Arts center.  He's a native of New York, and would like to think this urban upbringing influences all of his writing.  He is currently teaching English for sixth graders in Queens.

The play: Prohibition Blues
a mini-musical set in an old speakeasy
The writer: For the past two years Kara Ayn Napolitano has been developing plays and musicals with Writopia Lab, a school for writers age 6 to 18. She is currently the Artistic Director of their ongoing festival, the Worldwide Plays Festival. In New York she has directed and assistant directed for companies such as Writopia Lab, Working Man's Clothes (NY IT award winners), Blue Box World's Sticky Series, and Curious Frog. Kara is the co-founder of Drift In, Act Out Theatre company, based in NYC. Her produced plays include: Life Recital (musical), No Baby In Me (musical) and Plane Play. Kara is also a professional Speech Level Singing and TriYoga teacher. www.KaraAyn.com

Wednesday, May 1, 2013

Sticky May 17th!


in association with

blue box world
present





10-minute bar plays and music
because anything that can happen can happen in a bar

Plays by: 
Libby Emmons, T. Tara Turk, Jacquetta Szathmari, Michael Niederman, Nandita Shenoy, Debbie Jones, and a musical from Kara-Ayn Napolitano

with musical guest: Jeffrey Marsh

Friday, May 17th @ 7:30 pm
Under Saint Marks
94 Saint Marks Place, NYC

buy tickets here. They are $10. 

Check out the venue here. It is Horse Trade's lovely Under Saint Marks.

performances and direction by:
Jolly Abraham, Ali Ayala, Ashley Samona Baker, Cate Bottiglione, Libby Emmons, Barrie Gelles, Abby Lee, Carol London, David Marcus, Jimmy Pravasilis, Liza Pross and Dax Valdes


The plays:
T. Tara Turk’s “Blackbird Bluebird” about a mother’s last visit before prison; Jacquetta Szathmari’s “Open Arms,” a gun slinging bachelorette party; Libby Emmons’ “Get Me/Get Me Back,” about refusing to read your best friend’s blog; Michael Niederman’s “Mutual Appreciation Society,” with an overeducated student who wants out; Nandita Shenoy’s micro-short “True Story,” starring an Indian actress who’s not Indian enough; Debbie Jones' “I Saw You,” in which an old man is hounded at his favorite bistro, and Kara Ayn Napolitano's mini-musical set in an old speakeasy, “Prohibition Blues.”



Sunday, April 7, 2013

Up Next: Sticky



We've got a new Sticky coming up!

Friday, May 17th, 7:30 pm.

We're still building the show, but you can stay tuned to blueboxworld.com for details as they emerge.


Monday, February 11, 2013

the fires are bright tonight, take cover where you can

blue box world playwright and producer Libby Emmons has a new play happening.

we think you'll like it, so go check it out.



Here's how:

Radio Mara Mara
In an abandoned radio station in the hills around a bombed out capital city,
the DJ and the Archivist come to terms with the world that's left them behind.

by Libby Emmons, directed by Ali Ayala
starring: Christopher Burris and Zoe Metcalfe-Klaw

featuring the voices of:
Shawn Randall, Carol London, Imran W. Sheikh, Charlie B.E. Marcus, and David Marcus

and an original cover of N.W.A.'s F%$k the Police, by Stacy Rock

as part of John Chatterton's Midwinter Madness Short Play Festival
Roy Arias's Stage II
300 W. 43rd St., 4th floor
$15

The show dates are:
Monday 02/18 7:15 pm
Thursday 02/21 8:30 pm

Tuesday, January 22, 2013

pretty much sold out

We're pretty much sold out for Sticky.
Between the ticket sales and RSVP's we're full.

BUT
we're opening up a wait list.
Please RSVP "Wait List" and we'll do our best to get you in,
because we love you, after all.

Monday, January 21, 2013

it's only monday yet almost saturday

On Saturday Sticky returns after a rather long hiatus (it's been since June, so already that's crazy).

We're excited, but also a little nervous, y'know, because it's been a while. The plays are good, the group of people are great, but we're doing this show without venue support for the first time ever. So that's a little scary. And space is tight, only 30 seats available. We're reserved most of them, but if you're planning to come, please RSVP so we know how many to expect.